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KOLOMAN MOSER, Lovers, c. 1914 © Leopold, Private Collection, Photo: Leopold Museum, Vienna |
La confrontation de deux maîtres du Jungendstil viennois et de deux proto-expressionnistes, ils sont donc quatre à se partager les cimaises de l'exposition du Leopold Museum à Vienne jusqu'au 10 juin 2018
Vienne vers 1900. Klimt - Moser - Gerstl - Kokoschka
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GUSTAV KLIMT, Death and Life, 1910/11, reworked 1915/16 © Leopold Museum, Vienna
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GUSTAV KLIMT, On Lake Attersee, 1900 © Leopold Museum, Vienna
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Gustav Klimt, Approaching Thunderstorm (The Large Poplar ll), 1903 © Leopold Museum, Vienna |
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GUSTAV KLIMT, A Morning by the Pond, 1899 © Leopold Museum, Vienna |
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GUSTAV KLIMT, Sitting Nude Man Turned to the Right, 1883 © Private collection, Photo: Leopold Museum, Vienna
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GUSTAV KLIMT, Seated Young Girl, c. 1894 © Leopold Museum, Vienna
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KOLOMAN MOSER, Spring, c. 1913 © Leopold, Private Collection, Foto: Leopold Museum, Vienna |
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KOLOMAN MOSER, Inlaid Wardrobe from the Bedroom of the Eisler von Terramare Apartment, 1903 © Leopold Museum, Vienna |
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KOLOMAN MOSER, Poster for the XIII. Secession Exhibition, 1902 © Leopold, Private Collection, Foto: Leopold Museum, Vienna |
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KOLOMAN MOSER, Marigolds, 1909 © Leopold Museum, Vienna
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KOLOMAN MOSER, Semmering Landscape at Sunset, 1913 © Leopold, Private Collection, Foto: Leopold Museum, Vienna |
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KOLOMAN MOSER, Venus in the Grotto, c. 1914 © Leopold Museum, Vienna
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KOLOMAN MOSER, The Lovepotion (Tristan and Isolde), 1913/1915 © Leopold, Private Collection, Foto: Leopold Museum, Vienna |
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KOLOMAN MOSER, “The Hiker”, c. 1914 © Leopold, Private Collection, Photo: Leopold Museum, Vienna |
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OSKAR KOKOSCHKA,
Annexation – Alice in Wonderland, 1942 © Wiener Städtische Versicherung
AG - Vienna Insurance Group © Fondation Oskar Kokoschka/Bildrecht Wien,
2018, Photo: Wiener Städtische Versicherung
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OSKAR KOKOSCHKA, The Lace Maker, 1933 © Leopold Museum, Vienna © Fondation Oskar Kokoschka/Bildrecht Wien, 2018 |
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Oskar Kokoschka, Fortuna, 1915 © Private collection © Fondation Oskar Kokoschka/Bildrecht, Wien 2018 |
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OSKAR KOKOSCHKA,
Self-Portrait at the Easel, 1922 © Leopold, Private Collection, ©
Fondation Oskar Kokoschka/Bildrecht Wien, 2018
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OSKAR KOKOSCHKA, Self-Portrait, One Hand Touching the Face, 1918/19 ©
Leopold Museum, Vienna | Photo: Leopold Museum, Wien © Fondation Oskar
Kokoschka © Bildrecht, Wien, 2017 |
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Oskar Kokoschka, The Croci - Dolomite Landscape, 1913 © Leopold Museum, Vienna
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RICHARD GERSTL, Portrait of Henryka Cohn, 1908 © Leopold Museum, Vienna |
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RICHARD GERSTL, Couple in the Countryside, 1908 © Leopold Museum, Vienna
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RICHARD GERSTL, Nude Self-Portrait, 1908 © Leopold Museum, Vienna
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Richard Gerstl, Semi-Nude Self-Portrait, 1904/05 © Leopold Museum, Wien
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RICHARD GERSTL,
Smaragda Berg, 1906/07 © Private collection, permanent loan in the
Leopold Museum, Vienna, Photo: Leopold Museum, Vienna
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RICHARD GERSTL, Lakeside Road near Gmunden, 1907 © Leopold Museum, Vienna |
The
Leopold Museum is home to the largest and most eminent collection of
works by Egon Schiele as well as to an equally unparalleled compilation
of masterpieces from Viennese art around 1900.
Celebrating the
anniversary year on the theme of Viennese Modernism, the museum will
present select works by the main exponents of Viennese Jugendstil Gustav
Klimt (1862–1918) and Koloman Moser (1868–1918) as well as by the
ground-breaking Expressionists Richard Gerstl (1883–1908) and Oskar
Kokoschka (1886–1980) from January 2018 in a completely new
juxtaposition.
The exhibition will feature chief works by Gustav Klimt,
including Death and Life (1911/15) and the 1900 lakescape On Lake
Attersee, as well as Kolo Moser’s paintings, such as Venus in the Grotto
(1914). The presentation will also showcase outstanding examples of
design around 1900, including furniture, artisan craftwork and posters,
created by the “artist of a thousand talents” and co-founder of the
Wiener Werkstätte. Following successful exhibitions at the Schirn
Kunsthalle in Frankfurt and the Neue Galerie in New York, the radical
works by the proto-Expressionist Richard Gerstl will be shown once again
at the Leopold Museum, which is home to the most comprehensive Gerstl
collection. Among the works presented by Gerstl will be two icons of
Viennese Modernism, his two large-scale self-portraits. Oskar Kokoschka,
the enfant terrible of the Viennese art scene of the early 20th
century, will also be in the spotlight of this presentation with
extraordinary paintings, first and foremost his pioneering work
Self-Portrait, One Hand Touching the Face from 1918/19, which is both an
expression of the artist’s self-questioning and doubts as well as a
symbol for Austrian art embarking on a new era.
Vienne vers 1900. Klimt - Moser - Gerstl - Kokoschka
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